Tara Rodgers is a multi-instrumentalist composer, producer, and sound engineer who works across genres, including jazz piano-based experimentalism, electroacoustic and computer music, sound installation art, and electronic dance music. Her wide-ranging body of work has touched multiple scholarly fields and creative communities around the world. Her book, Pink Noises: Women on Electronic Music and Sound (Duke University Press, 2010), is recognized as “an absolutely singular undertaking which has staked a claim to changing the ways we think about electronic music” *Masking is suggested for this event. Masks will be available on entry.