Jacqueline Yvonne Tull

Metalworking Instructor & Studio Manager / Interdisciplinary Sculpture

Jacqueline Yvonne Tull is a mixed-media, Baltimore-based artist. She is the Interdisciplinary Sculpture Studio Manager and Metal Fabrication Instructor for the Maryland Institute College of Art, and a member of Goxxip Girl Collective. Jacqueline grew up in Greenbelt, Maryland, and completed her Bachelor of Fine Arts degree at the Pennsylvania College of Art and Design in Lancaster, Pennsylvania while spending summers studying plein-air painting at the Mount Gretna School of Art in Mount Gretna, Pennsylvania, and the Rome Art Program in Rome, Italy. She completed her Master of Fine Art degree at the University of Delaware, where she specialized in Sculpture and Material Culture studies. She has taught sculpture and other fine art courses at multiple universities in Maryland, Delaware, and Pennsylvania, and has exhibited works in the Mid-Atlantic region, New York, and Berlin, Germany.

Portfolio Pieces

“A Corner,” 2025 - Jacqueline Tull Aluminum, stainless steel mesh, steel wool, wire, North American native pollinator seeds 48” x 28” x 17”, A phantom of an original family heirloom corner cabinet, this sculpture reflects on our desire to cherish and preserve while facing the inevitability of change and life cycles. Over time, its decorative scrollwork will weep rust, and the North American pollinator seeds are given space to grow up through the open center of the sculpture. + Enlarge
A cocoon-like sculpture that references life transitions, and the identities we leave behind when we enter a new chapter in our lives, created through the application of traditional basket weaving to the industrial material of steel strapping, which is typically used for transporting goods. As the sculpture has migrated to different environments over the years, its surface has changed, introducing rust as a record of time. + Enlarge

“A Corner,”

A phantom of an original family heirloom corner cabinet, this sculpture reflects on our desire to cherish and preserve while facing the inevitability of change and life cycles. Over time, its decorative scrollwork will weep rust, and the North American pollinator seeds are given space to grow up through the open center of the sculpture.

Artist
Jacqueline Tull
Date
2025
Medium
Aluminum, stainless steel mesh, steel wool, wire, North American native pollinator seeds
Dimensions
48” x 28” x 17”

A cocoon-like sculpture that references life transitions, and the identities we leave behind when we enter a new chapter in our lives, created through the application of traditional basket weaving to the industrial material of steel strapping, which is typically used for transporting goods. As the sculpture has migrated to different environments over the years, its surface has changed, introducing rust as a record of time.

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